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Certain of the illustrations do not present the poems in the way in which some people might have visualised them, but they are nevertheless a bold break with the pretty-pretty presentation of anthological pieces hitherto dominant.All in all, I believe that Frank Murtagh's book is essential reading for students and other readers of Russian poetry and is to be warmly recommended. Lane University of Durham, England February, 1983 Since R.Frank Murtagh has trod this tightrope with great sureness and Tyutchev's distinctive style remains largely unsacrificed.Because he has known and loved the Master for so long, his translations have become consonant with the original poems. For this collection is the first accurate translation in bulk by a British author.I have incorporated almost all the notes from Pigaryov's edition, (A:33ii) (1) which are a summary of many people's findings, references to Aksakov's biography and extracts from Tyutchev's letters, as well as including comments by many researchers and myself.The full version and my translation of every identifiable surviving foreign work Tyutchev translated permits readers to consider why he may have chosen particular material for translation in the first place and why he retained its sense or altered it as he did.Frank Jude Durham, England January, 2000 The title/first line of a known translation and the author's name are given after the English title/first line. Where the first line is given in French, the poem was written in French.Italics are used for the first line of each untitled poem.

This contained poems of great distinction by an eminent poet, but there was more of Tomlinson in them than Tyutchev.

Imperturbable form is the outward sign of nature's utter consonance. She has also contributed a series of oil paintings on an anti-racist theme to a major exhibition.

Only our spectral liberty imparts a sense of dissonance. The poet Fyodor Tyutchev is known and appreciated by too few people outside of Russia, and yet his position as second to Pushkin (arguably only with the exception of Lermontov) has been acknowledged by generations of Russian/Soviet writers and critics.

Lane wrote his Foreword in 1983, only one edition of "quality" translations of Tyutchev has appeared till now, Anatoly Liberman's versions of 181 of the poems published in 1991.

In calling them "quality" translations, I make a deliberate value judgement, for his is not the only edition of selected poems to have appeared.