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In the exhibition we see the artist’s son Leo posing in a rainbow wig.

In another work he is lip-synching in film as a film clip for Ariana Grande. We see his middle child Olympia contorting herself in a gymnastic pose on a zebra skin.

In 2008, he was awarded a three-month residency, at Artspace Sydney.

From 2009 onwards Maloy has produced many large scale cardboard constructions at public art galleries and museums and for biennials and triennials thoughout Australasia.

The painting expunges the truths we know about the famous coupling and asks us to re-imagine them as , a collection of lavender and grey blooms in a silver vase with a fox tail? These images of self as mediated through his family (and others) offer a glimpse of the artist and his preoccupations through an inward looking lens.

Is it a creature of mythical elusiveness or the artist himself? They also present as a continuation of his exploration of beauty as a power, a contemporary currency revered above all else.

In we see a stylish arrangement of two beautiful things - an ionic column juxtaposed with a famous koru painting by Gordon Walters.

Zavros evokes the cultural politics of New Zealand in the 90s (the controversial appropriation debates), but having prompted them, he moves on leaving us with a beautifully rendered fictional interior located within his wider project, highlighting the way his paintings operate as objects of desire for collectors.

Recognised internationally as one the twentieth century’s great modernist innovators, New Zealand artist Len Lye is most famous for his avant-garde experimental films and for his astonishing and playful kinetic sculptures.

The artist wishes to acknowledge the support of Youkobo Art Space Tokyo, Asia New Zealand Foundation and Creative New Zealand Bio Richard Maloy works in a wide range of media, including sculpture, photography, video and installation.

He was awarded the inaugural Fulbright-Wallace award in 2009 and travelled to the United Sates of America as a visiting Fulbright Scholar in 2010 to take up a three-month artist residency at the Headlands Center of the Arts in San Francisco.

They underscore contemporary society’s obsession with beauty and vanity.

As writer Laurence Simmons says: “Like advertising, what is being created in a Zavros painting is not so much an object, a type of physical thing, but rather an artificial need or desire.”Viewed collectively melded fact and fiction.