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Future sex love sounds listen online college student and online dating services

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Go listen to an actual album."That's how you sound.

And my point still stands that Future Sex/Love Sounds is an important landmark in the world of pop music and music in general. I don't mean buying them on i Tunes, Amazon, or illegally downloading them from the torrents.

Likewise, the suavely portentous title track-- poised between the carnal strut of Nine Inch Nails' "Closer" (well, its verses) and the masochistic flutter of the Junior Boys-- derives its charm from its lofty aspirations, like a familiar lover staging an elaborately exaggerated seduction.

It is this excess of ambition over achievement, as opposed to any real consistency, which makes was.

The pop star offers his ambitious, grandiose sophomore album: Almost entirely produced by Timbaland-- and with a more pronounced hip-hop edge than its predecessor-- the album abandons the feelgood sheen which the Neptunes peddled so adroitly on his debut, : As an album it was merely good, but it was graced by four singles so monumental they made him one of the decade's most celebrated pop icons.

According to the laws of momentum which govern pop music, any sequel could only be either be a pale reflection or a hubristic monstrosity.

Songs which sound puzzlingly self-indulgent in isolation-- most obviously, the smirking, tenuously tuneful first single "Sexy Back"-- are cloaked in a compelling intensity and purposefulness when played in succession.

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I'll skip over track 1 (Future Sex/Love Sound) and track 2 (Sexy Back).Too many albums these days are just mixtapes full of singles and skits.Future Sex/Love Sounds is an album that you are truly listening to WRONG if you've got it on random or are just skipping to the singles. I'm not saying that the general quality of music has gotten lower, which is VERY debatable (and in my opinion, not true).I mean the way ALBUMS are created has changed dramatically in my lifetime. They are simply collections of songs loosely linked together with some insultingly vague theme.Almost entirely produced by Timbaland-- and with a more pronounced hip-hop edge than its predecessor-- the album abandons the feelgood sheen which the Neptunes peddled so adroitly on , but makes up for it with the largesse of its sonic embrace, with Timbaland resurrecting many of his most effective guises, from rubbery synthetic funk to pseudo-crunk blare to eerie Eastern opulence.